@misc
{TN_libero_mab2,
author = {
Banks, Marcus
AND
Dilley, Roy
AND
Fillitz, Thomas
AND
Fillitz, Thomas
AND
Gingrich, Andre
AND
Grau Rebollo, Jorge
AND
Grijp, Paul van der
AND
Muršič, Rajko
AND
Okely, Judith
AND
Saris, A. Jamie
AND
Saris, A. Jamie
AND
Sjørslev, Inger
AND
Taylor, Lawrence J.
AND
Warnier, Jean-Pierre
},
title = {
Debating Authenticity
Concepts of Modernity in Anthropological Perspective
},
publisher = {Berghahn Books},
publisher = {},
isbn = {9780857454973},
keywords = {
Anthropology Philosophy
,
Authenticity (Philosophy)
,
SOCIAL SCIENCE / Anthropology / Cultural & Social
},
year = {[2012]},
year = {, ©2012},
abstract = {Frontmatter},
abstract = {Contents},
abstract = {List of Figures},
abstract = {Acknowledgements},
abstract = {Introduction. Authenticity Aujourd’hui},
abstract = {Part I. Authenticity and Authenticating},
abstract = {1. Revisiting ‘Culture, Genuine and Spurious’: Reflections on Icons and Politics in Ireland},
abstract = {2. Deceptive Tentacles of the Authenticating Mind: On Authenticity and Some Other Notions That are Good for Absolutely Nothing},
abstract = {Part II. Moral Discourses of Authenticity},
abstract = {3. Authentic Wilderness: The Production and Experience of Nature in America},
abstract = {4. The Moral Economy of Authenticity and the Invention of Traditions in Franche-Comté (France)},
abstract = {5. ‘Oh, That’s So Typical!’ Discussing Some Spanish ‘Authentic’ Essential Traits},
abstract = {Part III. Authenticity: Popular and Academic Discourses},
abstract = {6. Is Form Really Primary or, What Makes Things Authentic? Sociality and Materiality in Afro-Brazilian Ritual and Performance},
abstract = {7. A Cultural Search for Authenticity: Questioning Primitivism and Exotic Art},
abstract = {8. Wooden Pillars and Mural Paintings in the Saudi South-west: Notes on Continuity, Authenticity and Artistic Change in Regional Traditions},
abstract = {9. True to Life: Authenticity and the Photographic Image},
abstract = {Part IV. Entangled Spaces of Authenticity},
abstract = {10. Questions of Authenticity and Legitimacy in the Work of Henri Gaden (1867–1939)},
abstract = {11. Constructing Culture through Shared Location, Bricolage and Exchange: The Case of Gypsies and Roma},
abstract = {12. Cultural Regimes of Authenticity and Contemporary Art of Africa},
abstract = {Notes on Contributors},
abstract = {Index},
address = {
New York
,
},
url = {
http://slubdd.de/katalog?TN_libero_mab2
}
}