author = { Bray, William Robert AND Palmer, R. Barton },

title = { Modern American drama on screen },

edition = { 1. publ. } ,

publisher = {Cambridge Univ. Press},

isbn = {1107000653},

isbn = {9781107000650},

keywords = { American drama Film adaptations , Film adaptations History and criticism , Motion pictures and literature United States , Aufsatzsammlung , Englisch , Drama , USA , Verfilmung , Geschichte 1936-2003 },

year = {c 2013},

abstract = {Filmogr. S. 289 - 292 und Literaturangaben},

abstract = {Introduction by R. Barton Palmer and William Robert BrayRealism, censorship, and social promise of Dead end / by Amanda Klein},

abstract = {Screening Our town (1940): or the problem of looking at everything hard enough by David Eldridge},

abstract = {Screening Death of a salesman: Arthur Miller's cinema and its discontents by R. Barton Palmer},

abstract = {Elia Kazan's A streetcar named desire by William Robert Bray},

abstract = {Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism by John S. Bak},

abstract = {The big knife: Hollywood's fable about moral values and success by Christopher Ames},

abstract = {Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun by Martin Halliwell},

abstract = {The children's hour by Neil Sinyard},

abstract = {Screening Long day's journey into night by Mary F. Brewer},

abstract = {Who's afraid of Virginia Woolf by David Lavery and Nancy Mcguire Roche},

abstract = {Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love by Annette Saddik},

abstract = {Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) by Laurence Raw},

abstract = {David Mamet brings film to Oleanna by Brenda Murphy},

abstract = {To what end wit? by John D. Sykes, jr},

abstract = {Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) by Tison Pugh.},

address = { Cambridge [u.a.] },

url = { http://slubdd.de/katalog?TN_libero_mab2 }