author = { Nicol, Bran Appiah, Kwame Anthony AND Bakhtin, Mikhail AND Barth, John AND Barthes, Roland AND Baudrillard, Jean AND Docherty, Thomas AND Eco, Umberto AND Fiedler, Leslie A. AND Graff, Gerald AND Haraway, Donna AND Harvey, David AND Hassan, lhab AND Hollinger, Veronica AND Hooks, Bell AND Howe, Irving AND Hutcheon, Linda AND Huyssen, Andreas AND Jameson, Fredric AND Jencks, Charles AND Lodge, David AND Lyotard, Jean-Frangois AND Maltby, Paul AND McHale, Brian AND Morris, Meaghan AND O’Donnell, Patrick AND Sontag, Susan AND Spanos, William V. AND Tani, Stephano AND Waugh, Patricia AND Žižek, Slavoj },

title = { Postmodernism and the Contemporary Novel A Reader },

publisher = {Edinburgh University Press},

publisher = {},

isbn = {9781474471312},

keywords = { Fiction 20th century History and criticism , Postmodernism (Literature) , LITERARY CRITICISM / General },

year = {[2022]},

year = {, ©2002},

abstract = {Frontmatter},

abstract = {CONTENTS},

abstract = {ACKNOWLEDGEMENTS},

abstract = {INTRODUCTION: WHAT WE TALK ABOUT WHEN WE TALK ABOUT POSTMODERNISM},

abstract = {PART I THE POSTMODERN CONDITION},

abstract = {INTRODUCTION},

abstract = {MAPPING POSTMODERNISM},

abstract = {1 THE CULTURAL LOGIC OF LATE CAPITALISM’},

abstract = {2 ‘TIME-SPACE COMPRESSION AND THE POSTMODERN CONDITION’},

abstract = {3 ‘MAPPING THE POSTMODERN’},

abstract = {NARRATIVE, KNOWLEDGE, REPRESENTATION},

abstract = {4 FROM THE POSTMODERN CONDITION: A REPORT ON KNOWLEDGE},

abstract = {5 THE PRECESSION OF SIMULACRA’},

abstract = {IRONY AND ‘DOUBLE CODING’ 6 ‘POSTMODERNISM, IRONY, THE ENJOYABLE’},

abstract = {6 ‘POSTMODERNISM, IRONY, THE ENJOYABLE’},

abstract = {7 ‘POST-MODERNISM DEFINED’},

abstract = {DIAGNOSING POSTMODERNISM},

abstract = {8 ‘YOU MAY!’},

abstract = {PART II THE POSTMODERN TU RN},

abstract = {9 THE LITERATURE OF EXHAUSTION’},

abstract = {10 ‘MASS SOCIETY AND POSTMODERN FICTION’},

abstract = {11 ‘ONE CULTURE AND THE NEW SENSIBILITY’},

abstract = {12 ‘CROSS THE BORDER - CLOSE THAT GAP: POST-MODERNISM’},

abstract = {13 THE DETECTIVE AND THE BOUNDARY: SOME NOTES ON THE POSTMODERN LITERARY IMAGINATION’},

abstract = {14 ‘POSTmodernISM: A PARACRITICAL BIBLIOGRAPHY’},

abstract = {15 THE MYTH OF THE POSTMODERN BREAKTHROUGH’},

abstract = {PART III POSTMODERN POETICS},

abstract = {THE NOVEL},

abstract = {16 FROM S/Z},

abstract = {17 FROM ‘DISCOURSE IN THE NOVEL’},

abstract = {18 FROM METAFICTION},

abstract = {TOWARDS A POETICS OF POSTMODERN FICTION},

abstract = {19 ‘POSTMODERNIST FICTION’},

abstract = {20 ‘CHANGE OF DOMINANT FROM MODERNIST TO POSTMODERNIST WRITING’},

abstract = {21 FROM A POETICS OF POSTMODERNISM},

abstract = {POSTMODERN GENRE},

abstract = {22 FROM THE DOOMED DETECTIVE},

abstract = {PART IV POSTMODERN POLITICS},

abstract = {POLITICS AND FICTIONALITY},

abstract = {23 FROM THE POLITICS OF POSTMODERNISM},

abstract = {24 TH E ETHICS OF ALTERITY’},

abstract = {25 FROM DISSIDENT POSTMODERNISTS},

abstract = {FEMINISM AND POSTMODERNISM},

abstract = {26 ‘FEMINISM, READING, POSTMODERNISM’},

abstract = {27 ‘A MANIFESTO FOR CYBORGS: SCIENCE, TECHNOLOGY AND SOCIALIST FEMINISM IN THE 1980s’},

abstract = {IS THE ‘POST’ IN POSTCOLONIAL THE SAME AS THE ‘POST’ IN POSTMODERN?},

abstract = {28 ‘POSTMODERN BLACKNESS’},

abstract = {29 THE POSTCOLONIAL AND THE POSTMODERN’},

abstract = {TECHNOLOGY AND PARANOIA},

abstract = {30 ‘CYBERNETIC DECONSTRUCTIONS: CYBERPUNK AND POSTMODERNISM’},

abstract = {31 ‘ENGENDERING PARANOIA IN CONTEMPORARY NARRATIVE’},

abstract = {NAMES INDEX},

abstract = {SUBJECT INDEX},

address = { Edinburgh , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }