The facsimile revived: a review and a reflection - Ed. Arlt Wulf Rankin Susan. Stiftsbibliothek Sankt Gallen Codices 484 and 381. Winterthur: Amadeus, 19963 volumes in a slipcase: 329, 91, 262 pp. ISBN 3 905049 67 8. - Ed.Ike de loos Charles Downey and Ruth Steiner LJtrecht, Bibliotheek der Rijksuniversiteit MS 406 (3.J.7).. Publications of Mediaeval Musical Manuscripts 21. Ottawa: Institute of Mediaeval Music, 1997. liii + 260 pp. ISBN 1 896926 03 7 Charles Downey, An Utrecht Antiphoner … Printouts from an Index in Machine-Readable Form. Musicological Studies LV/6. Ottawa: Institute of Mediaeval 1997. xx + 220 pp. ISBN 1 896926 05 3. - Ed.Martin Staehlin. Die mittelalterliche Musik-Handschrift W1: Vollständge Reproduktion des ‘Notre Dame’ -Manuskripts der Herzog August Billiothek Wolfenbüttel Cod. Guelf. 628 Helmst. Wolfenbütteler Mittelalter-Studien 9. Wiesbaden: Harrassowitz Verlag, 1995. 470 pp. ISBN 3 447 03779 2. - Ed.Maria Carmen Góme Muntané. Polifonía de la Corona de Aragón Siglos XIV y XV: Ars Nova de la Corona de Aragón. Polifoní Aragonesa VIII. ZaragozaInstitución ‘Fernando el Católico’, 1993. 104 pp. ISBN 88 7820 167 X. - Ed.Agostino Ziino.Ii Codice T.III.2, Torino, Biblioteca Nazionale Universitaria. Ars Nova 3. LuccaLibreria Musicale Italiana, 1994. 190 pp. ISBN 88 7096 034 X. - Ed.Eugeen Schreurs. An Anthology of Music Fragments from the Low Countries (Middle Ages – Renaissance): Polyphony, Monophony and Slate Fragments in Facsimile.. LeuvenAlamire, 1995. xxiv + 136 pp. ISBN 90 6853 107 7. - Ed.David Fallows Oxford, Bodleian Library, s. Cannin. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile 1. ChicagoChicago University Press, 1995. 362 pp. ISBN 0 226 23706 0. - Musical Codex Huelgas Reales Monastery (Burgos): Documentation for the facsimile edition. Madrid: Testimonio Compañia Editorial and Patrinionio Nacional, n.d. Brochure and sample pages