• Medientyp: Artikel
  • Nachgewiesen in: Sächsische Bibliografie
  • Titel: Bachs Chor : die Leipziger Doktrin : eine Replik
  • Beteiligte: Parrott, Andrew [VerfasserIn]
  • Erschienen: 2010
  • Erschienen in: Concerto ; 27(2010), 233, Seite 25-29
  • Sprache: Deutsch
  • ISSN: 0177-5944
  • RVK-Notation: LP 38207 : zu einzelnen Gebieten und Problemen
  • Schlagwörter: Bach, Johann Sebastian > Chor > Chormusik > Geschichte
  • Entstehung:
  • Anmerkungen:
  • Beschreibung: A response to the article abstracted as RILM 2010-3674. Andreas Glöckner, together with his influential Leipzig colleagues Christoph Wolff and Hans-Joachim Schulze, has been a leading proponent of the "choral" performance of Bach’s sacred music, yet much of their collective thinking addresses only the general question of forces assigned to particular churches, rather than the specific one of forces selected for Bach’s own concerted works. Similarly, what may hold for chorale and motet singing is frequently held to apply equally to Bach’s exceptionally "intricate" music. Specific misconceptions are illustrated in two short case studies: "new" parts to BWV 23 reveal a flaw in the general understanding of Bach’s ripieno practice, and fresh evidence in the form of a precisely documented large mixed ensemble at Wittenberg in 1755 contradicts conventional assumptions of singer/instrument ratios while confirming predictions from other reliable sources. A German translation is cited as RILM 2010-5553. An updated reprint is cited as RILM 2015-12706. (RILM)