Freud, Lucian
[KünstlerIn];
Yeats, Jack Butler
[KünstlerIn]
;
Kennedy, Christina
[HerausgeberIn];
O'Donnell, Nathan
[HerausgeberIn]Irish Museum of Modern Art
Life above everything
: Lucian Freud and Jack B. Yeats : IMMA Collection: Freud Project, Irish Museum of Modern Art, 2016-2021
Anmerkungen:
"Published on the occasion of the launch of Life Above Everything: Lucian Freud and Jack B. Yeats, IMMA Collection: Freud Project 2016-2021, 28 June 2019-19 January 2020" -- page 159
Includes bibliographical references
Beschreibung:
IMMA foreword /Annie Fletcher --Christie's foreword /Alice de Roquemaurel, Katharine Arnold --Preface /Hilary Pyle --Selective affinities: an introduction to Lucian Freud and Jack B. Yeats /Christine Kennedy --Yeats through Freud's eyes --In conversation /David Dawson, William Feaver, Christina Kennedy --Lucian Freud in Dublin, Jack B. Yeats in London /Nathan O'Donnell --Circa 1950: Lucian Freud at the Hanover Gallery /James Finch --Dancing stevedores: Jack B. Yeats and painting in the age of mechanical reproduction /Róisin Kennedy --For love of paint: surface and light /Eithne Jordan --Artists' biographies --Exhibited works and image credits --Contributors --Colophon.
Life above Everything is a major exhibition that brings together the work of two acknowledged masters, Lucian Freud and Jack B. Yeats. Exploring the affinities and interconnections between these two artists, this exhibition draws the work of these two stubbornly individual painters into dialogue, placing them side-by-side for the first time in 70 years. While Lucian Freud's work has been exhibited in the past in group exhibitions alongside other artists from the 'School of London', Life above Everything is one of the few exhibitions to date in which Freud has been shown with a single other artist. Freud's interest in Yeats is little discussed, but he had a lifelong interest in the Irish painter's work, holding a deep admiration for its force and energy. He did not cite Yeats as an 'influence' but instead seems to have felt a common purpose with his originality and independence, his continuous searching observation, and his sense of the connection between painting and life. A pen and ink drawing by Yeats, The Dancing Stevedores (c.1900), hung beside Freud's bed for over 20 years. Life Above Everything will include a substantial number of oil paintings by both artists, 33 by Freud and 24 by Yeats, as well as a range of works on paper, sourced from public and private collections internationally. There are five new loans of work by Freud to the IMMA Collection: Freud Project including important early works such as Girl with Roses (1947-48), Girl with Beret (1951) and Boat, Connemara (1951). Significant loans of works by Yeats include The Bus by the River (1927), People in a Street (c.1935), A Dancer (Rosses Point, Sligo) (1921), as well as From the Tram Top (c. 1925), which features one of Yeats's rare cameos in his own work. Unique to this exhibition is the inclusion of seven paintings by Jack B. Yeats which Freud selected for a close friend, advising him on works to acquire at auction or through the relevant gallery. We are delighted to be able to present these seven paintings, 'approved' by Freud, as a special grouping of Yeats's works within this exhibition. David Dawson, artist and Freud's long-time studio assistant, has assisted in the selection for this exhibition, bringing to the project a unique, intimate knowledge of Freud's interest in Yeats.--IMMA website