• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog; Bildband
  • Titel: Strict beauty : Sol LeWitt prints
  • Beteiligte: LeWitt, Sol [KünstlerIn]; Areford, David S. [VeranstalterIn]
  • Körperschaft: New Britain Museum of American Art ; Museum of Art
  • Erschienen: New Britain, Conn.: New Britain Museum of American Art, [2020]
    Williamstown, Mass.: Williams College Museum of Art, [2020]
    New Haven, CT: Yale University Press, [2020]
  • Umfang: 287 Seiten; 27 cm
  • Sprache: Englisch
  • ISBN: 0300253826; 9780300253825
  • RVK-Notation: LI 53750 : LeWitt, Sol
  • Schlagwörter: LeWitt, Sol > Druckgrafik
  • Entstehung:
  • Anmerkungen: Impressum: "This catalogue is published in conjunction with the exhibition Strict Beauty: Sol LeWitt Prints, curated by David S. Areford and organized by the New Britain Museum of American Art, New Britain, CT, and the Williams College Museum of Art, Williamstown, MA."
    Catalog of the exhibition scheduled to be held at the New Britain Museum of American Art, New Britain, Connecticut, September 17, 2021-January 9, 2022, and at the Williams College Museum of Art, Williamstown, Massachusetts, February 18-June 12, 2022
    Ausstellungsdaten im Internet ermittelt
    Includes bibliographical references and index
  • Beschreibung: "The conceptual artist Sol LeWitt (1928-2007) is best known for his programmatic wall drawings and modular structures, but alongside these works he generated more than 350 print projects, comprising thousands of lithographs, silkscreens, etchings, aquatints, woodcuts, and linocuts. This generously illustrated volume is the first to take a comprehensive look at LeWitt's significant yet underexplored printmaking practice. Drawing together new archival research, interviews, and careful material and visual analyses, David S. Areford brilliantly situates LeWitt's prints within the broader context of his serial-, system-, and rule-based approach to artmaking. The specific processes of print media, Areford argues, were perfectly suited for LeWitt's particular brand of conceptual art, in which the "idea becomes the machine that makes the art." With over 400 illustrations, many never before published, this study offers a more complete picture of LeWitt's oeuvre--and the essential place printmaking holds in it. The result will deepen the understanding not only of the variety of LeWitt's output but of the genealogy of his distinct geometric and linear formal language."--Publisher's description

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  • Status: Ausleihbar