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Alan, Wexelblat
[MitwirkendeR];
Alexander, Doty
[MitwirkendeR];
Amy, Villarejo
[MitwirkendeR];
Angela, Ndalianis
[MitwirkendeR];
Aniko, Bodroghkozy
[MitwirkendeR];
Anna, McCarthy
[MitwirkendeR];
Catherine, Palmer
[MitwirkendeR];
Charles, Weigl
[MitwirkendeR];
Dianne, Brooks
[MitwirkendeR];
Edward, O’Neill
[MitwirkendeR];
Eithne, Johnson
[MitwirkendeR];
Elana, Crane
[MitwirkendeR];
Elayne, Rapping
[MitwirkendeR];
Ellen, Strain
[MitwirkendeR];
Eric, Freedman
[MitwirkendeR];
Eric, Schaefer
[MitwirkendeR];
Gerry, Bloustien
[MitwirkendeR];
Greg, Smith
[MitwirkendeR];
Heather, Hendershot
[MitwirkendeR];
Henry Jenkins, Jenkins
[MitwirkendeR];
Henry, Jenkins
[MitwirkendeR];
Jane, Shattuc
[MitwirkendeR];
Jenkins III, Henry
[HerausgeberIn];
John, Bloom
[MitwirkendeR];
[...]
Hop on Pop
: The Politics and Pleasures of Popular Culture
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- Medientyp: E-Book
- Titel: Hop on Pop : The Politics and Pleasures of Popular Culture
- Beteiligte: Alan, Wexelblat [MitwirkendeR]; Alexander, Doty [MitwirkendeR]; Amy, Villarejo [MitwirkendeR]; Angela, Ndalianis [MitwirkendeR]; Aniko, Bodroghkozy [MitwirkendeR]; Anna, McCarthy [MitwirkendeR]; Catherine, Palmer [MitwirkendeR]; Charles, Weigl [MitwirkendeR]; Dianne, Brooks [MitwirkendeR]; Edward, O’Neill [MitwirkendeR]; Eithne, Johnson [MitwirkendeR]; Elana, Crane [MitwirkendeR]; Elayne, Rapping [MitwirkendeR]; Ellen, Strain [MitwirkendeR]; Eric, Freedman [MitwirkendeR]; Eric, Schaefer [MitwirkendeR]; Gerry, Bloustien [MitwirkendeR]; Greg, Smith [MitwirkendeR]; Heather, Hendershot [MitwirkendeR]; Henry Jenkins, Jenkins [MitwirkendeR]; Henry, Jenkins [MitwirkendeR]; Jane, Shattuc [MitwirkendeR]; Jenkins III, Henry [HerausgeberIn]; John, Bloom [MitwirkendeR]; John, Hartley [MitwirkendeR]; Joy, Fuqua [MitwirkendeR]; Kathleen, Green [MitwirkendeR]; Louis, Kaplan [MitwirkendeR]; Maria, Koundoura [MitwirkendeR]; Matthew, Tinkcom [MitwirkendeR]; McPherson, Tara [HerausgeberIn]; Nabeel, Zuberi [MitwirkendeR]; Nicholas, Evans [MitwirkendeR]; Pamela, Wojcik [MitwirkendeR]; Peter, Chvany [MitwirkendeR]; Robert, Drew [MitwirkendeR]; Roberta, Pearson [MitwirkendeR]; Robyn, Warhol [MitwirkendeR]; Sharon, Mazer [MitwirkendeR]; Shattuc, Jane [HerausgeberIn]; Stephen, Duncombe [MitwirkendeR]; Tara, McPherson [MitwirkendeR]; Tony, Grajeda [MitwirkendeR]; William, Uricchio [MitwirkendeR]
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Erschienen:
Durham: Duke University Press, [2003]
[Online-Ausgabe] - Umfang: 1 Online-Ressource (760 p); 63 b&w photos
- Sprache: Englisch
- DOI: 10.1515/9780822383505
- ISBN: 9780822383505
- Identifikator:
- Schlagwörter: Popular culture Study and teaching United States ; Popular culture United States ; SOCIAL SCIENCE / Popular Culture
- Art der Reproduktion: [Online-Ausgabe]
- Entstehung:
-
Anmerkungen:
In English
Mode of access: Internet via World Wide Web
-
Beschreibung:
Frontmatter -- Contents -- Acknowledgments -- I. introduction -- The Culture That Sticks to Your Skin: A Manifesto for a New Cultural Studies -- Defining Popular Culture -- II. self -- Daytime Utopias: If You Lived in Pine Valley, You’d Be Home -- Cardboard Patriarchy: Adult Baseball Card Collecting and the Nostalgia for a Presexual Past -- Virgins for Jesus: The Gender Politics of Therapeutic Christian Fundamentalist Media -- “Do We Look Like Ferengi Capitalists to You?” Star Trek’s Klingons as Emergent Virtual American Ethnics -- The Empress’s New Clothing? Public Intellectualism and Popular Culture -- “My Beautiful Wickedness”: The Wizard of Oz as Lesbian Fantasy -- III. Maker -- “Ceci N’est Pas une Jeune Fille”: Videocams, Representation, and “Othering” in the Worlds of Teenage Girls -- “No Matter How Small”: The Democratic Imagination of Dr. Seuss -- An Auteur in the Age of the Internet: JMS, Babylon 5, and the Net -- “I’m a Loser Baby”: Zines and the Creation of Underground Identity -- IV. Performance -- “Anyone Can Do It”: Forging a Participatory Culture in Karaoke Bars -- Watching Wrestling / Writing Performance -- Mae West’s Maids: Race, “Authenticity,” and the Discourse of Camp -- “They Dig Her Message”: Opera, Television, and the Black Diva -- How to Become a Camp Icon in Five Easy Lessons: Fetishism—and Tallulah Bankhead’s Phallus -- V. Taste -- “It Will Get a Terrific Laugh”: On the Problematic Pleasures and Politics of Holocaust Humor -- The Sound of Disaffection -- Corruption, Criminality, and the Nickelodeon -- “Racial Cross-Dressing” in the Jazz Age: Cultural Therapy and Its Discontents in Cabaret Nightlife -- The Invisible Burlesque Body of La Guardia’s New York -- Quarantined! A Case Study of Boston’s Combat Zone -- VI. Change -- On Thrifting -- Shopping Sense: Fanny Fern and Jennie June on Consumer Culture in the Nineteenth Century -- Navigating Myst-y Landscapes: Killer Applications and Hybrid Criticism -- The Rules of the Game: Evil Dead II . . . Meet Thy Doom -- Seeing in Black and White: Gender and Racial Visibility from Gone with the Wind to Scarlett -- VII. Home -- “The Last Truly British People You Will Ever Know”: Skinheads, Pakis, and Morrissey -- Finding One’s Way Home: I Dream of Jeannie and Diasporic Identity -- As Canadian as Possible . . . : Anglo-Canadian Popular Culture and the American Other -- Wheels of Fortune: Nation, Culture, and the Tour de France -- Narrativizing Cyber-Travel: CD-ROM Travel Games and the Art of Historical Recovery -- Hotting, Twocking, and Indigenous Shipping: A Vehicular Theory of Knowledge in Cultural Studies -- VIII. emotion -- “Ain’t I de One Everybody Come to See?!” Popular Memories of Uncle Tom’s Cabin -- Stress Management Ideology and the Other Spaces of Women’s Power -- “Have You Seen This Child?” From Milk Carton to Mise-en-Abıˆme -- Introducing Horror -- About the Contributors -- Name Index
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