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Shin, Chi-Yun
[VerfasserIn];
Stringer, Julian
[VerfasserIn]
;
Abelmann, Nancy
[MitwirkendeR];
Ahn, SooJeong
[MitwirkendeR];
Berry, Chris
[MitwirkendeR];
Choi, Jung-ah
[MitwirkendeR];
Chung, Hye Seung
[MitwirkendeR];
Diffrient, David Scott
[MitwirkendeR];
Grossman, Andrew
[MitwirkendeR];
Kim, Kyu Hyun
[MitwirkendeR];
Kim, Kyung Hyun
[MitwirkendeR];
Kim, Soyoung
[MitwirkendeR];
Lee, Hyangjin
[MitwirkendeR];
Lee, Jooran
[MitwirkendeR];
Magnan-Park, Aaron Han Joon
[MitwirkendeR];
Paquet, Darcy
[MitwirkendeR];
Robinson, Michael
[MitwirkendeR];
Shin, Chi-Yun
[MitwirkendeR];
Shin, Jeeyoung
[MitwirkendeR];
Stringer, Julian
[MitwirkendeR]
New Korean Cinema
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- Medientyp: E-Book
- Titel: New Korean Cinema
-
Enthält:
Frontmatter
CONTENTS
NOTES ON THE CONTRIBUTORS
ILLUSTRATIONS
INTRODUCTION
PART I FORGING A NEW CINEMA
1. CONTEMPORARY CULTURAL PRODUCTION IN SOUTH KOREA: VANISHING META-NARRATIVES OF NATION
2. THE KOREAN FILM INDUSTRY: 1992 TO THE PRESENT
3. GLOBALISATION AND NEW KOREAN CINEMA
4. CHUNHYANG: MARKETING AN OLD TRADITION IN NEW KOREAN CINEMA
5. ‘CINE-MANIA’ OR CINEPHILIA: FILM FESTIVALS AND THE IDENTITY QUESTION
PART II GENERIC TRANSFORMATIONS
6. PUTTING KOREAN CINEMA IN ITS PLACE: GENRE CLASSIFICATIONS AND THE CONTEXTS OF RECEPTION
7. HORROR AS CRITIQUE IN TELL ME SOMETHING AND SYMPATHY FOR MR.VENGEANCE
8.TWO OF A KIND: GENDER AND FRIENDSHIP IN FRIEND AND TAKE CARE OF MY CAT
9. ‘JUST BECAUSE’: COMEDY, MELODRAMA AND YOUTH VIOLENCE IN ATTACK THE GAS STATION
10. ALL AT SEA? NATIONAL HISTORY AND HISTORIOLOGY IN SOUL’S PROTEST AND PHANTOM,THE SUBMARINE
PART III SOCIAL CHANGE AND CIVIL SOCIETY
11. PEPPERMINT CANDY: THE WILL NOT TO FORGET
12. THE AWKWARD TRAVELLER IN TURNING GATE
13. MEMENTO MORI AND OTHER GHOSTLY SEXUALITIES
14. INTERETHNIC ROMANCE AND POLITICAL RECONCILIATION IN ASAKO IN RUBY SHOES
GLOSSARY OF KEY TERMS
BIBLIOGRAPHY OF WORKS ON KOREAN CINEMA
WEBSITES
INDEX
- Beteiligte: Shin, Chi-Yun [VerfasserIn]; Abelmann, Nancy [MitwirkendeR]; Ahn, SooJeong [MitwirkendeR]; Berry, Chris [MitwirkendeR]; Choi, Jung-ah [MitwirkendeR]; Chung, Hye Seung [MitwirkendeR]; Diffrient, David Scott [MitwirkendeR]; Grossman, Andrew [MitwirkendeR]; Kim, Kyu Hyun [MitwirkendeR]; Kim, Kyung Hyun [MitwirkendeR]; Kim, Soyoung [MitwirkendeR]; Lee, Hyangjin [MitwirkendeR]; Lee, Jooran [MitwirkendeR]; Magnan-Park, Aaron Han Joon [MitwirkendeR]; Paquet, Darcy [MitwirkendeR]; Robinson, Michael [MitwirkendeR]; Shin, Chi-Yun [MitwirkendeR]; Shin, Jeeyoung [MitwirkendeR]; Stringer, Julian [VerfasserIn]; Stringer, Julian [MitwirkendeR]
- Erschienen: Edinburgh: Edinburgh University Press, [2022]
- Umfang: 1 Online-Ressource (256 p.)
- Sprache: Englisch
- DOI: 10.1515/9781474472579
- ISBN: 9781474472579
- Identifikator:
- Schlagwörter: Motion pictures Korea (South) History ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / History & Criticism
- Entstehung:
-
Anmerkungen:
In English
- Beschreibung: A wide-ranging analysis of one of the world's most important contemporary film industriesProvides new insights into the relations forged between cinema and civil society since the early 1990sConsiders innovative and timely areas of concern such as globalization, transnationalism and new mediaContains in-depth analyses of key films like Chunhyang, Memento Mori, Peppermint Candy and Take Care of My CatIncludes a glossary of key terms and bibliography of works on Korean cinemaIllustrated with 24 black-and-white stillsNew Korean Cinema adopts a cross-cultural and multi-dimensional perspective and provides a comprehensive overview of the production, circulation and reception of modern South Korean cinema. Together with discussions of Korean society and culture, it considers the political economy of the film industry, strategies of domestic and international distribution and marketing, the consumption of films in diverse reception environments, and the relation of film texts to their cultural, historical and social contexts. Gathering critics from Asia, Europe and North America, New Korean Cinema contributes to the discussion of the complex role played by national and regional cinemas in a global age. It will be of interest to students and critics of Popular Culture and Film Studies as well as East Asian Studies and Korean Studies
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