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Fisher, Austin [VerfasserIn] ; Broughton, Lee [MitwirkendeR]; Falconer, Pete [MitwirkendeR]; Fisher, Austin [MitwirkendeR]; Frayling, Christopher [MitwirkendeR]; Grady, William [MitwirkendeR]; Hyman, David [MitwirkendeR]; Iannone, Pasquale [MitwirkendeR]; Koven, Mikel J. [MitwirkendeR]; Mera, Iain Robert Smith [MitwirkendeR]; Ritzer, Ivo [MitwirkendeR]; Stott, Rosemary [MitwirkendeR]; Wong, Aliza S. [MitwirkendeR]

Spaghetti Westerns at the Crossroads : Studies in Relocation, Transition and Appropriation

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  • Medientyp: E-Book
  • Titel: Spaghetti Westerns at the Crossroads : Studies in Relocation, Transition and Appropriation
  • Enthält: Frontmatter
    Contents
    Figures
    Acknowledgements
    Introduction
    Chapter 1 The Quiet Man Gets Noisy: Sergio Leone, the Italian Western and Ireland
    Part I Trans-genre Roots
    Chapter 2 Pietro Germi, Hybridity and the Roots of the Italo-Western
    Chapter 3 Malaysian Pirates, American Cowboys and the Marginalised Outlaw: Constructing Other-ed Adventurers in Italian Film
    Part II Ethnic Identities, Transnational Politics
    Chapter 4 Spectacles of Insurgency: Witnessing the Revolution as Incoherent Text
    Chapter 5 Emancipation all’italiana: Giuseppe Colizzi and the Representation of African Americans in Italian Westerns
    Chapter 6 Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema
    Part III Asian Crossovers
    Chapter 7 Bounty Hunters, Yakuzas and Rōnins: Intercultural Transformations between the Italian Western and the Japanese Swordfight Film in the 1960s
    Chapter 8 Spaghetti Westerns and Asian Cinema: Perspectives on Global Cultural Flows
    Chapter 9 Cowboys and Indians: Transnational Borrowings in the Indian Masala Western
    Part IV Routes of Relocation, Transition and Appropriation
    Chapter 10 For a Few Comic Strips More: Reinterpreting the Spaghetti Western through the Comic Book
    Chapter 11 Transit to East Germany: The Distribution and Reception of Once Upon a Time in the West in the German Democratic Republic
    Chapter 12 Spaghetti Westerns and the ‘Afterlife’ of a Hollywood Genre
    Filmography
    Notes on the Contributors
    Index
  • Beteiligte: Fisher, Austin [VerfasserIn]; Broughton, Lee [MitwirkendeR]; Falconer, Pete [MitwirkendeR]; Fisher, Austin [MitwirkendeR]; Frayling, Christopher [MitwirkendeR]; Grady, William [MitwirkendeR]; Hyman, David [MitwirkendeR]; Iannone, Pasquale [MitwirkendeR]; Koven, Mikel J. [MitwirkendeR]; Mera, Iain Robert Smith [MitwirkendeR]; Ritzer, Ivo [MitwirkendeR]; Stott, Rosemary [MitwirkendeR]; Wong, Aliza S. [MitwirkendeR]
  • Erschienen: Edinburgh: Edinburgh University Press, [2022]
  • Umfang: 1 Online-Ressource (312 p.)
  • Sprache: Englisch
  • ISBN: 9780748695461
  • Schlagwörter: Motion pictures Italy History and criticism ; Spaghetti Westerns History and criticism ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / General
  • Entstehung:
  • Anmerkungen: In English
  • Beschreibung: A reappraisal of the cultural-political strands that fed into, and emanate from, the Spaghetti WesternWhat links Italian neorealism to Django Unchained, French comic books to Third-World insurgency, and Bollywood song-and-dance to Eastern Bloc film distribution? As this volume illustrates, the answers lie in the Spaghetti Western genre.As the reference points of American popular culture became ever more prominent in post-war Europe, the hundreds of films that make up the Italian (or ‘Spaghetti’) Western documented profound shifts in their home country’s cultural outlook, while at the same time denying specifically national discourses. An object of fascination and great affection for fans, filmmakers and academics alike, the Western all¹italiana arose from a diverse confluence of cultural strands, and would become a pivotal moment in cinematic history.Reappraising a diverse selection of films, from the internationally famed works of Sergio Leone to the cult cachet of Sergio Corbucci and the more obscure outputs of such directors as Giuseppe Colizzi and Ferdinando Baldi, this comprehensive study brings together leading international scholars in a variety of disciplines to both revisit the genre’s cultural significance and consider its on-going influence on international film industries. Contributors includeLee BroughtonPete FalconerChristopher FraylingWilliam GradyDavid HymanPasquale IannoneThomas KleinMikel J. KovenIvo RitzerIain Robert SmithRosemary StottAliza S. WongPatrick Wynne
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