• Medientyp: E-Book
  • Titel: After the Cult : Perceptions of Other and Self in West New Britain (Papua New Guinea)
  • Enthält: Frontmatter
    Contents
    List of maps and figures
    Acknowledgements
    1 Introduction
    2 Valentine’s Kivung
    3 Present-day memories
    4 Indigenous interpretation
    5 Indigenous perceptions of other and self
    6 Anthropological perceptions of other and self
    7 Subjects and objects
    Appendices
    Glossary
    References
    Index
  • Beteiligte: Jebens, Holger [VerfasserIn]
  • Erschienen: New York; Oxford: Berghahn Books, [2010]
  • Umfang: 1 Online-Ressource (250 p.)
  • Sprache: Englisch
  • DOI: 10.1515/9781845458225
  • ISBN: 9781845458225
  • Identifikator:
  • Schlagwörter: Cargo cults Papua New Guinea New Britain Island ; Papuans Papua New Guinea New Britain Island Attitudes ; Papuans Papua New Guinea New Britain Island Psychology ; Public opinion Papua New Guinea New Britain Island ; Self-perception Papua New Guinea New Britain Island ; White people Papua New Guinea New Britain Island Public opinion ; SOCIAL SCIENCE / Anthropology / Cultural & Social
  • Entstehung:
  • Anmerkungen: In English
  • Beschreibung: In many parts of the world the “white man” is perceived to be an instigator of globalization and an embodiment of modernity. However, so far anthropologists have paid little attention to the actual heterogeneity and complexity of “whiteness” in specific ethnographic contexts. This study examines cultural perceptions of other and self as expressed in cargo cults and masked dances in Papua New Guinea. Indigenous terms, images, and concepts are being contrasted with their western counterparts, the latter partly deriving from the publications and field notes of Charles Valentine. After having done his first fieldwork more than fifty years ago, this “anthropological ancestor” has now become part of the local tradition and has thus turned into a kind of mythical figure. Based on anthropological fieldwork as well as on archival studies, this book addresses the relation between western and indigenous perceptions of self and other, between “tradition” and “modernity,” and between anthropological “ancestors” and “descendants.” In this way the work contributes to the study of “whiteness,” “cargo cults” and masked dances in Papua New Guinea
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