• Medientyp: Buch; unbewegtes Bild
  • Titel: A nimble arc : James Van Der Zee and photography
  • Enthält: To Pivot Lightly: Adding the Vernacular to Art History's Sight Line -- "More, Many More": Van Der Zee's World of Harlem Renaissance Studio Photographers -- The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora -- A Reframing of Value: Van Der Zee's Restoration Work of the 1940s and Beyond -- Black Quotidian Experiences: Revisiting the Met's Harlem on My Mind exhibition of 1969 -- Coda. To Nimbly Rewind.
  • Beteiligte: Boone, Emilie [VerfasserIn]; Van der Zee, James [IllustratorIn]
  • Erschienen: Durham; London: Duke University Press, 2023
  • Erschienen in: Visual arts of africa and its diasporas
  • Umfang: xvii, 265 Seiten; Illustrationen
  • Sprache: Englisch
  • ISBN: 9781478024903; 9781478020189
  • RVK-Notation: AP 94100 : Biografien, Memoiren, Tagebücher, Briefe, Bildbände einzelner Fotographen (CSN des Personennamens)
  • Schlagwörter: Van der Zee, James > Fotografie > Geschichte 1920-1970
  • Entstehung:
  • Anmerkungen: Includes bibliographical references and index
    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
  • Beschreibung: "In A Nimble Arc Emilie Boone considers James Van Der Zee's photographic work across the twentieth century-from his early years in Harlem to the moment of the Harlem on my Mind exhibit-to foreground aspects of Black quotidian life. Boone theorizes 'nimble' to describe the ease of movement with which one must transition between art history and vernacular photography when considering Van Der Zee and his work. While Van Der Zee is lauded for his role in the Harlem Renaissance and his late-career portrait of Jean-Michel Basquiat, his studio played a major role in the Black community for decades, photographing ordinary people and events in ways that have been mostly overlooked. Boone's account recasts our understanding not only of this canonical figure, but of photography in Black life more generally"--

    Emilie Boone considers James Van Der Zee s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and the larger African Diaspora

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