• Medientyp: Buch; unbewegtes Bild
  • Titel: The rainbow's gravity : colour, materiality and British modernity
  • Enthält: The texture of capitalism : oil painting and industrialisation in the nineteenth century
    The complexation of the chromolithograph : colouring skin in late Victorian print
    Modern women, modern colours : Madame Yevonde and the feminisation of photography between the wars
    Decolonising in technicolour : chromatic imperialism and post-war colour cinema in Britain and India
    The BBC's colour problem : race, migration and colour television in the 1960s.
  • Beteiligte: Dootson, Kirsty Sinclair [VerfasserIn]
  • Erschienen: London: Paul Mellon Centre for Studies in British Art, 2023
  • Umfang: vii, 224 Seiten; Illustrationen; 27 cm
  • Sprache: Englisch
  • ISBN: 9781913107369; 1913107361
  • RVK-Notation: LH 61346 : Farbenlehre allg. (Farbtheorie/Farbgebung in künstlerischer Ausbildung und Praxis)
    AP 38520 : Farbfernsehen
    LO 50095 : 20. Jahrhundert insgesamt
    AP 19300 : Großbritannien
  • Schlagwörter: Großbritannien > Hautfarbe > Kunst > Medien > Geschichte
    British Broadcasting Corporation > Farbfernsehen > Zuwanderung > Gesellschaft > Geschichte 1960-1970
    Farbwiedergabe > Neue Technologie > Sozialer Wandel > Nationalbewusstsein
  • Entstehung:
  • Anmerkungen: Includes bibliographical references (pages 206-213) and index
  • Beschreibung: From Victorian breakthroughs in synthesising pigments to the BBC's conversion to chromatic broadcasting, the story of colour's technological development is inseparable from wider processes of modernisation that transformed Britain. This revolutionary history brings to light how new colour technologies informed ideas about national identity during a period of profound social change, when the challenges of industrialisation, decolonisation of the Empire and evolving attitudes to race and gender reshaped the nation. Offering a compelling new account of modern British visual culture that reveals colour to be central to its aesthetic trajectories and political formations, this chromatic lens deepens our understanding of how British art is made and what it means, offering a new way to assess the visual landscape of the period and interpret its colourful objects. Across a kaleidoscopic array of materials, from radiant paintings by major Victorian artists, vivid print advertisements and vibrant interwar fashion photographs, to glorious Technicolor films and the prismatic programmes of the BBC's early years of colour television, The Rainbow's Gravity reveals how Britain modernised colour and how colour, in turn, modernised Britain

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  • Fällig am: 27.05.2024
  • Status: Ausgeliehen, Vormerken möglich