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Medientyp:
E-Book
Titel:
Audiences of Nazism
:
using media in the Third Reich
Enthält:
List of Figures and TablesAcknowledgementsIntroduction: Media and Their Users in Nazi GermanyUlrike WeckelChapter 1. To Constantly Swim against the Tide Is Suicide : The Liberal Press and Its Audience, 1928-1933Jochen HungChapter 2. Active Audiences: Stürmerkästen and the Rise of Der Stürmer s Activist ReadershipHannah AhlheimChapter 3. Reading Fake News: The Röhm Putsch, : The Hitler Myth and the Consumption of Political News under the NazisJanosch SteuwerChapter 4. Beyond Approved Reactions: Assessments of the NSDAP s Nuremberg Party Rallies in Diaries and Letters, 1933-1938Annina HofferberthChapter 5. Call and Response: The Creation of the National Socialist PublicPeter FritzscheChapter 6. Advertising and Its Audiences in Weimar and Nazi GermanyPamela SwettChapter 7. Concert Programs, Ideology, and the Search for Subjectivity in National Socialist GermanyNeil GregorChapter 8. The Entartete Kunst : Exhibitions and Their AudiencesBernhard FuldaChapter 9. Amateur Films from National Socialist Austria as Visual Responses to Nazi PropagandaMichaela ScharfChapter 10. The Media of Occupation: German Books and Photographs in France, 1940-1944Julia TorrieChapter 11. The Migration of Topoi from Atrocity Films to Their Heirs: Modes of Addressing the Audience in German Post-War CinemaBernhard GrossChapter 12. Finding an Unintended Audience: An SS Photo Album and Its Post-War EditionsUlrike KoppermannAfterwordJane Caplan
Anmerkungen:
Includes bibliographical references and index
Beschreibung:
"Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism critically approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to "degenerate art" exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism"--