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Medientyp:
Buch
Titel:
Literature through film
:
realism, magic, and the art of adaptation
Enthält:
Introduction: Beyond "Fidelity" -- The Question of Genre -- Literary Realism and Magic -- Magic and Realism in the Cinema -- Multicultural Dialogism -- Questions of Method -- 1. A Cervantic Prelude: From Don Quixote to Postmodernism: Don Quixote on the Screen -- The Realistic Magic of Orson Welles -- From Don Quixote to Postmodernism 2. Colonial and Postcolonial Classics: From Robinson Crusoe to Survivor: The Post-text of Robinson Crusoe -- Decolonizing Crusoe -- Postcolonial Echoes: Castaway and Survivor 3. The Self-conscious Novel: From Henry Fielding to David Eggers : The Reflexive Stylistics of Henry Fielding -- From Novel to Film: Tom Jones and Joseph Andrews -- Richardson's Joseph Andrews -- Machado de Assis: the Posthumous Memoirs of Bras Cubas 4. The Proto-cinematic Novel: Metamorphoses of Madame Bovary: Flaubert's Cinematic Gaze -- Flaubert the Impressionist -- Renoir's Madame Bovary -- The Minnelli Magic -- Chabrolian Realism -- From Bollywood to Woody Allen 5. Underground Man and Neurotic Narrators: From Dostoevsky to Nabokov: Memories of Underdevelopment -- The Metamorphoses of Lolita -- Gendered Narration: Hour of the Star 6. Modernism, Adaptation, and the French New Wave: The New Wave and the Cine-roman -- The Violent Yokings of Hiroshima mon amour -- Contempt: Moravia and Godard -- Don Quixote and the New Wave 7. Full Circle: From Cervantes to Magic Realism: "Magic Realism:" From LIterature to Film -- Carnivalesque Anthropophagy -- The "Mother" of Magic Realism: Macunaima -- Macunaima: the Film -- Magic Realism a la Bresilienne -- Marquezian Magic -- Carpentier: "The Marvelous American Real" -- Conclusion.
Anmerkungen:
Includes bibliographical references and index
Beschreibung:
Introduction: Beyond "Fidelity" -- The Question of Genre -- Literary Realism and Magic -- Magic and Realism in the Cinema -- Multicultural Dialogism -- Questions of Method -- 1. A Cervantic Prelude: From Don Quixote to Postmodernism: Don Quixote on the Screen -- The Realistic Magic of Orson Welles -- From Don Quixote to Postmodernism 2. Colonial and Postcolonial Classics: From Robinson Crusoe to Survivor: The Post-text of Robinson Crusoe -- Decolonizing Crusoe -- Postcolonial Echoes: Castaway and Survivor 3. The Self-conscious Novel: From Henry Fielding to David Eggers : The Reflexive Stylistics of Henry Fielding -- From Novel to Film: Tom Jones and Joseph Andrews -- Richardson's Joseph Andrews -- Machado de Assis: the Posthumous Memoirs of Bras Cubas 4. The Proto-cinematic Novel: Metamorphoses of Madame Bovary: Flaubert's Cinematic Gaze -- Flaubert the Impressionist -- Renoir's Madame Bovary -- The Minnelli Magic -- Chabrolian Realism -- From Bollywood to Woody Allen 5. Underground Man and Neurotic Narrators: From Dostoevsky to Nabokov: Memories of Underdevelopment -- The Metamorphoses of Lolita -- Gendered Narration: Hour of the Star 6. Modernism, Adaptation, and the French New Wave: The New Wave and the Cine-roman -- The Violent Yokings of Hiroshima mon amour -- Contempt: Moravia and Godard -- Don Quixote and the New Wave 7. Full Circle: From Cervantes to Magic Realism: "Magic Realism:" From LIterature to Film -- Carnivalesque Anthropophagy -- The "Mother" of Magic Realism: Macunaima -- Macunaima: the Film -- Magic Realism a la Bresilienne -- Marquezian Magic -- Carpentier: "The Marvelous American Real" -- Conclusion