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Media type:
Book;
Bibliography
Title:
The crucifixion in music
:
an analytical survey of settings of the crucifixus between 1680 and 1800
Contains:
pt. 1. The liturgy and its musical implications. The Crucifixus : an overview -- pt. 2. Investigative approaches. Music and rhetoric : representation of the text as conceived by theorists of the eighteenth century ; Modern analytical views relevant to the subject and their relationship to rhetoric -- pt. 3. Analysis. A musical overview ; Analytical results -- pt. 4. Case studies. Adaptation of preexisting music for a setting of the Crucifixus : J.S. Bach, Crucifixus from Mass in B Minor BWV 232 ; Organization of texture and text : Caldara, Crucifixus a 16 voci ; A semiotic analysis : Bertoni, Crucifixus con organo a 4 voci ; A rhetorical analysis : Zelenka, Crucifixus from Missa paschalis ZWV 7 ; Textual influence : Vivaldi, Crucifixus from Credo RV 591 ; Constraints of style : Lotti, Crucifixus settings for six and ten voices ; Orchestral practice and Crucifixus conventions : Mozart, Haydn, and beyond -- pt. 5. Summary. The Crucifixus tradition : patterns of influence and modes of transmission ; General overview -- Appendixes. A, Crucifixus settings ; B, Rhythmic variants for setting the word "Crucifixus" ; C, A comparison of Bach's setting of the Crucifixus from the Mass in B minor BWV 232 and the first part of the opening chorus from Weinen, Klagen, Sorgen, Zagen BWV 12 ; D, A. Caldara (8) : Crucifixus a 16 voci ; E, F. Bertoni (5) : Crucifixus con organo a 4 voci ; F, A. Vivaldi (95) : Crucifixus from Credo RV 591 ; G, A. Lotti (59) : Crucifixus a 6 ; H, A. Lotti (60) : Crucifixus a 10 ; I, W.A. Mozart (84) : Crucifixus from Krönungs-Messe KV 317 ; J, F.J. Haydn (39) : Crucifixus from Missa in tempore belli ; K. D. Cimarosa (16) : Messa a 4 con stromenti --Bibliography -- General index -- Musical index